When she is not writing for Screen Rant, she teaches at the high school and college levels.
Her fiction and poetry have appeared in Coastlines, The Storyteller, and Conceit Magazine. In 2021, she graduated from FAU with a Masters's Degree in British literature. She started to write poetry as well as nonfiction pieces analyzing literature and films. She began to expand her writing talents beyond fiction. In school, her love for storytelling transferred easily to English and creative writing. Eventually, her stories moved beyond her action figures to the lines of plain white paper. The films of the Disney Renaissance left a profound effect on her and fueled her passion for storytelling. Michelle Boyar has enjoyed writing since she was in second grade but has enjoyed films since she set her eyes on a television set. But, for now, it remains a cautionary tale for filmmakers who have a great idea but slip up on the execution. Not only that, but Blood and Honey's design of the "cross-breeds" were memorable enough that the film will likely become a cult classic as the years go by. For all its low-budget failures, Blood and Honey still infiltrates the viewer with a genuine terror for these once lovable characters. Regardless of whether Blood and Honey works as a coherent film, it unearthed an interest in a darker telling of these characters. Even with its critical score of 5 percent on Rotten Tomatoes, Winnie-the-Pooh: Blood and Honey earned five million dollars with a $100,000 budget. Through marketing, Blood and Honey garnered attention from those who were horrified by the concept and others who were fascinated. Despite Winnie-the Pooh: Blood and Honey's poor critical reception, Frake-Waterfield has given himself a launching pad for future films, Bambi: The Reckoning and Peter Pan's Neverland Nightmare.
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